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What (who) is hook shaped - definition
![[[Richard Tuttle]], ''Red Canvas,'' 1967, [[National Gallery of Art]] ([[Washington, D.C.]], USA)](https://commons.wikimedia.org/wiki/Special:FilePath/'Red Canvas' by Richard Tuttle, 1967, Corcoran Gallery of Art.jpg?width=200 "[[Richard Tuttle]], ''Red Canvas,'' 1967, [[National Gallery of Art]] ([[Washington, D.C.]], USA)")
![Tenkara]]'' hook with a spade end.](https://commons.wikimedia.org/wiki/Special:FilePath/FishHooks.JPG?width=200 "Tenkara]]'' hook with a spade end.")
![Native American shell fish hook from California. [[Auckland Museum]]](https://commons.wikimedia.org/wiki/Special:FilePath/Hook (AM 1939.232-7).jpg?width=200 "Native American shell fish hook from California. [[Auckland Museum]]")
![The [[Palomar knot]], a commonly used [[knot]] to attach a [[monofilament line]] to the hook](https://commons.wikimedia.org/wiki/Special:FilePath/How to tie a hook.jpg?width=200 "The [[Palomar knot]], a commonly used [[knot]] to attach a [[monofilament line]] to the hook")
 front rotated.jpg?width=200)
!["Weeper" with dress hooks. Detail of monument in [[Church of St Mary the Virgin, Fawsley]].](https://commons.wikimedia.org/wiki/Special:FilePath/Monument to Sir Richard Knightley and his wife Jane, St Mary's Church, Fawsley (detail 2).jpg?width=200 "\"Weeper\" with dress hooks. Detail of monument in [[Church of St Mary the Virgin, Fawsley]].")
. 2008T34 (FindID 205810).jpg?width=200 "Twisted silver wire dress fastener, ca. 1350–1500, London")
.jpg?width=200 "Copper alloy dress hook, ca. 1550–1700, North Yorkshire")
.jpg?width=200 "Bar-backed cast silver dress hook, Cheshire")
.jpg?width=200 "Medieval hook-fastener, Kent")
. (FindID 88120).jpg?width=200 "Half-cylinder copper alloy dress hook, possibly late medieval, Isle of Wight")
.jpg?width=200 "Composite silver-gilt dress hook, Suffolk")
Wikipedia
Shaped canvases are paintings that depart from the normal flat, rectangular configuration. Canvases may be shaped by altering their outline, while retaining their flatness. An ancient, traditional example is the tondo, a painting on a round panel or canvas: Raphael, as well as some other Renaissance painters, sometimes chose this format for madonna paintings. Alternatively, canvases may be altered by losing their flatness and assuming a three-dimensional surface. Or, they can do both. That is, they can assume shapes other than rectangles, and also have surface features that are three-dimensional. Arguably, changing the surface configuration of the painting transforms it into a sculpture. But shaped canvases are generally considered paintings.
Apart from any aesthetic considerations, there are technical matters, having to do with the very nature of canvas as a material, that tend to support the flat rectangle as the norm for paintings on canvas.
In the literature of art history and criticism, the term shaped canvas is particularly associated with certain works created mostly in New York after about 1960, during a period when a great variety and quantity of such works were produced. According to the commentary at a Rutgers University exhibition site, "... the first significant art historical attention paid to shaped canvases occurred in the 1960s...."
